I'm joining Elizabeth and friends again for her weekly online sewing circle.
Back to that black linen I mentioned in my last post...Lydia had a music performance coming up and I actually realized ahead of time that she didn't have anything to wear. She was to play a piece her brother composed for harp, performing at the college in his composition recital. As musicians customarily wear black, and finding a suitable dress to purchase was so unlikely I wouldn't even try, I got it into my head to make her a dress. And as Lydia is not a synthetic fabric kind of girl, I knew at once it had to be linen. Classic black 100% linen.
Finding a pattern was a bit of a challenge. Lydia's sense of style required something simple and modest yet elegant and including these once popular but now obscure arm covering devices called sleeves. We liked the style of this dress I found on Etsy, although its slim sleeves and close fitting bodice wouldn't do for comfortably playing musical instruments. We settled on Vogue 8555 which has a similar cummerbund waist with flared skirt, and it just needed some slight modifications (such as longer sleeves as Lydia requested) to make it work.
I first made a 'muslin' out of some cotton floral fabric I had on hand. I was pressed for time so I made only the bodice (with nobbut one sleeve!); someday soon I'll finish it into a nice little summer frock.
As you can see, I raised the neckline of both the front and the back of the bodice by quite a bit:
And here we have the finished dress:
Would you believe I don't have a single picture of Lydia wearing it that night?! Next recital I'll get a photo, for sure.
As for reading, I never did get anywhere in Tolkien's letters that I mentioned last time; my library request became available and you know how you have to read your holds first. So Lydia, Anna and I are all reading The Bluebird Effect, with a most grateful hat tip to Tonya at Plain and Joyful Living who recommended it. We were going to take turns but the allure of this treasure of a book took over and we all dived in at once. It is such a delightful read and spring is the perfect time to indulge in these wonderful stories of 'uncommon bonds with common birds'. Julie Zickefoose is a naturalist and rehabilitator whose love, knowledge and intimacy with birds shine through on every page. She is also an artist and her own illustrations, from field sketches to watercolor paintings, make the book lovely to look at as well. It's filled with the kind of stories that are so endearing to birders - the little daily encounters and rare opportunities when one gets to connect with and sometimes influence the lives of our feathered friends. Zickefoose clearly loves birds, yet she doesn't succumb to excessive sentimentalism or worse, anthropomorphism. And her knowledge of the natural world remains willing to admit that in nature absolutes can be rare and surprises frequent. We have the book from the library but I surely think we need our own copy.
(watercolors in above picture are by Lydia)
Thank you again to Elizabeth for hosting!





























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